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Nadeem Muzaffar's Bibelot (2010, a custom typeface) is based on one of these alphabets. ĭutch type historian who collected many art nouveau type specimen, including some rare alphabets drawn by the Rotterdamse Schilderschool. Typefaces from 2021: Kolm Keltek (classical ornaments), Microdot (a dot matrix font). Typefaces from 2020: Lo Fi Copy (grungy and pixelish). Typefaces from 2018: Strapwork (four ornamental typefaces with friezes, borders and motifs modeled after Balthasar Bos (1554) and 16th century mannerism). Typefaces from 2016: Geometric Harmony (geometric ornaments), Dubster (which he describes as a technocratic modular font). Typefaces from 2015: Finetitle (ornaments for headers), Gothic Herbarium (a floriated ornamental font based on the Gothic Revival ornaments developed by Augustus Pugin (1812-1852)), Old Depot (rough stencil), Francesca (decorative caps).

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In 2014, Dmitry Rastvortsev, Lukyan Turetsky, and Henadij Zarechnjuk cooperated on the design of the free Latin / Cyrillic handwriting typeface Kobzar KS, which is based on the handwriting of Taras Shnvchenko, a famous Ukrainian poet, artist and philosopher. In 2014, he created Angusto (an elegant narrow shaded display typeface family), Vindemiam (ornamental borders), Squamish (ornamental borders), UA Map (maps of Ukraine dingbats) and Bohemian Border.

Typefaces from 2013: Bandelwerk (borders), Digital Stitch, Modern Wave (ornaments based on Alphonse Mucha), Hopferian (Roman caps after engravings by Daniel Hopfer (1470-1536)-typeface completed with help of Mariya Sokil), Simple Ribbon (art nouveau dingbats). This was followed by Ornamental Deco 2D (2010, art deco ornaments), Rally Symbols 2D (2010), Mascaron2D (2010, by Iryna Korchuk), Depot Trapharet 2d (2010, a stencil based on the tram lettering in Lviv), Ascetic 2D (2005-2010), Hutsulyandiya (2010, extraordinary ornaments by Iryna Korchuk), Simeon (2010, calligraphic), Cranked Pipe 2D (2011), Tripyllia 2D (2011, ornaments of the neolithic Trypillya culture), and Ukrainian Barokko (2010, a calligraphic typeface by Genadij Zarechnjuk), Historism Border (2011, border ornaments), Moreske 2D (2012, ornaments), Geomanticus (2012, modular squarish sans). The first typeface at 2D typo was the modular pixelish Pressure Drop 2D (2010).

1979) of the octagonal stencil typeface Depot Trapharet (2006, brutalist), and of the free car rallye dingbat typeface Rallye Symbols (2008). Typefaces from 2022: Roslyn Leigh (combining art nouveau with hipsterism). Typefaces from 2021: Doric (a display typeface by Alex and Emma Joganic), Darker, Clever (a sharp-edged display typeface with negative angle and the coathanger lower case f that is de rigueur in 2021), Sonder (a decorative serif with diagonal stress). Typefaces from 2020: Understock (vintage). Typefaces from 2019: Kinder (a heavy fashion mag titling typeface), Moral Varnish (a vintage stencil typeface), Noble Company (a monoline script), Rowan Royal (+Brush: a free blackletter). Typefaces from 2018: Forward, America (a free brush script), Tradesmith ( free), Grit & Caliber (vintage set), Nature Spirit, Messenger (a free vintage font). Typefaces from 2017: Garment District (a free monoline script designed together with Jeremy Vessey), Crafter (a free vintage metal sign emulation font), Grandfather (brush script). TYPE DESIGN INFORMATION PAGE last updated onĪlex Joganic (1871 Project) is the Birmingham, AL-based designer of Matches (2016, an octagonal typeface), Ciclista (2016, a casual monoline typeface), Superior (2016, a handcrafted sans), The Victor (2016, handcrafted), Zara Elyse (2016: script), Fernweh (2016, a handcrafted typeface with a vintage wood type look) and Xander (2016, in Sans and Serif: 19th century all caps typeface family with a wood type look).